Thursday, June 7, 2012

Radiohead, 6/1/12, Prudential Center, Newark, NJ


Radiohead, 6/1/12, Prudential Center, Newark, NJ


"Last night was one intense set of music...I don't even know if I can comment on it being good or bad...but it was INTENSE. The production is stellar, and my eyes, ears, and a small section of my brain are a little sore this morning. ENJOY!" - Michael Weiss

"Remember where we are going tonight. This is not the type of event to just get drunk, dance, and show your friends the new t-shirt you bought at the merch table. This is here for you to elevate your humanity. Not in the sense that it will make you happier. You may leave feeling far worse than when you arrived. Worse in the sense that you will have absorbed the collective paranoia that encases our human experience. The unsolvable paradox that we are all one, but also trapped inside our mortal isolation. But where is there greater comfort than in feeling that you are not alone, even as you ultimately are... This event will not answer your questions, but it will help you to ask the correct ones." - Jon Bevo

"Do you feel anything weird? Because your neck muscles are twitching uncontrollably." - Greg, my Physical Therapist


Welcome Back! My bloggy and live music responsibilities were put on hold for couple of months while I was involved in a massive work project. Thanks for your patience. Let's go!

The aforementioned quotes were ones offered to me in the hours leading up to the 2nd Radiohead show at the shiny, new, Prudential Center in beautiful Downtown Newark last week. This was my first Radiohead show, and I had mixed expectations.  Basically, people who are really into them talk of their live shows as if they are the most orgasmic live music experience on the face of the planet (the Mole People would surely disagree-- they prefer Maroon 5) and I do have an open mind, but there's just no way.  Then you've got the people who don't like Radiohead and are not shy to share that opinion- ie, "At least the lights are pretty" - my friend Mark, re: Radiohead, 5/31/12. And so it seems, to the Outsider at least, that Radiohead don't seem to have many casual listeners-- you're either all-in, or all-out. I've really enjoyed a couple of their albums, but others, quite honestly, bore the shit out of me. Sometimes I just don't get it. My short attention span and desire to stay away from my dark and depressed philosophical side have really prevented me from pursuing True Radiohead Fandom. And this is why my expectations were mixed. I was confused. It's confusing.

Additionally, as you may have noted in the quotes above, it seemed that the crash gig I completed the night before (at approximately 11PM) left my neck muscles in constant spasm (still happening, btw-- good times). Between the physical and mental exhaustion, I kind of wanted nothing more than to eat ibuprofen and crawl into bed in my dark room for a week. Instead, I was headed towards what I feared would be an assault on every single one of my senses. I was in a very delicate state and just needed Radiohead to be kind. 

I met the crew around back of the arena at Brick City, where I completely avoided alcohol, due to the fear of falling asleep. We were having such a lovely time discussing Bath Salts and Zombies, we totally missed the opening act, Caribou. I was okay with this, as Caribou's official bio description includes the word "dubstep". That's one midget notch up from Raggaeton.

Upon entry, I spied a disclaimer that there would be strobe lights in effect during the performance, and felt relief in the fact that my migraine RX was on hand. We hit our seats just as the lights dimmed and the stage lit up. The stage design was pretty inventive, unique, and brilliant. Giant square LED TV screens were magically arranging themselves mid-air, and would continue to shift positions for each song. The band was essentially backlit the entire night, but there were some fill lights on either side of the stage, hitting them horizontally. Thusly, the light show consisted of various abstract flashing light patterns and CU's of Radiohead ROCKING THE FUCK OUT, on the giant back screen, the shifting floaty squares, and a banner of squares across the top of the stage. Pretty fucking cool.


The music itself was pretty rockin' too, and the energy level was high enough to keep me interested throughout the entire set. They slowed it down a couple of times, which I believe were the "crawl into fetal position and contemplate your puny status in the Universe" moments that I typically avoid. But these were quite pretty and they mixed the high-energy Rock into it enough that I really enjoyed the entire set. They also peppered some new stuff in and I didn't notice many people jetting for the bathrooms (we'll come back to that).

Every time Thom Yorke did his wacky possessed noodle dance, the crowd went apeshit. There is a direct correlation there. I got pretty excited too. It's like he's got a Tesla Coil strapped to his balls, but he's learned to use it to his advantage and our entertainment. He was also sporting a teeny little man ponytail, which didn't quite do it for me. We wondered out loud if he's ever been confused with a bird that got trapped in an oil spill, and if Greenpeacers ever tackle him and wash him down with warm water and Dawn Liquid Soap. "Just HOLD STILL! Stop squirming! Soon you will be free, little bird! FREEEE!!!" CAAAAWWW!!!



But the peak of the night was most definitely Idioteque, in which they really got the crowd really pumped and moving around.  An amazing energy filled the arena, and at the absolute climax, Yorke announced, "Fuck it." and walked off stage, leaving a stunned band, and a puzzled audience in his wake. A few minutes of silence followed before they eventually returned to stage for "Encore 1"

Idioteque. Thom York gets cranky around 3:20.

His crankiness was supposedly due to a combination of sound problems and the fact that he was sick and hadn't slept at all the night before (not sure if this also explains the hair). I feel ya, Thom. He then sang How To Disappear Completely. Oh, you ol' so and so, I get it! To end "Encore 2", they did part of REM's The One I Love, which was cool, and then one by one, the band walked off during Everything In Its Right Place.

It was a cool show, which I enjoyed way more than I expected (especially since I tried not to bob my head so much and irritate my neck muscles any further-- HAHAHA tried.). So much so, that I didn't bother taking a bathroom break, and by the end, I was seriously ready to burst. Much to my surprise and dismay, the bathroom line was really long! I didn't realize there were so many chicks into Radiohead. "I peed myself in GA!" said the Drunk Jersey Girl in her 20's in the bathroom line ahead of me after the show. "Recently?" I inquired, thinking "GA" meant "Georgia", and guessing she was On Tour or something, but apparently she had meant "General Admission" aka, the floor. "5 minutes ago!!!  It was all so awesome--- and then I just peed myself!!!" She and her friend were both excited and impressed by her fortitude/devotion. Then she showed me the $200 worth of merch she'd purchased while the line slowly moved along. I bring this up not only because it was an interesting exchange, but also because it may have proved the first part of Bevo's earlier quote wrong.   Hm…

Weiss was on-point, the show was definitely "INTENSE". Also, pretty great. I'd totally see them again. Probably not for more than $60… and I'm never going to be at the level where I'll be reaching out into the air to dramatically grasp the music and then piss myself. But, yah, I will totally see them again.

The night definitely pushed me over the edge of physical exhaustion and/or I caught whatever Thom Yorke was suffering from, because I have been sick ever since. Or perhaps this is just the 2nd half of whatever the fuck Bevo was talking about, incubating in my body? If that's the case, I definitely don't get it. People enjoy this? "Elevating (my) humanity" feels like I've been hit by a truck. Fuck that. And when I was finally able to get to sleep on Friday night, I had some seriously fucked up nightmares that included spiders spinning my skull in their web like a dying fly they were about to feast on. Then another nightmare about work. UGH. Then some more nightmares about some other crazy shit. Eventually it was 10AM and I realized my plans to go to Mountain Jam and rock out with American Babies were realistically: batshit nuts. I could barely lift my head up, let alone get in a car for 2 hours (Greg would not be pleased). That's why the next post on the blog will not be a review of Saturday at Mountain Jam-- because instead of attempting to have more fun, I ate some tylenol, went back to sleep, and had more nightmares. Does this make me a Radiohead fan? Or just a better person?  I'm still confused.

Thom Yorke Flu.  Fuck you, Thom Yorke, for making me sick. But still, thanks for a really exciting and cool show!

So, the burning correct question is: Can one be a casual Radiohead fan? Methinks: yes. Maybe. Radiohead, 6/1/12, Prudential Center, NJ: 8.3 HUZZAHS!!!


SETLIST
Bloom
15 Step
Bodysnatchers
Kid A
Staircase
The Daily Mail
Myxomatosis
The Gloaming
Separator
Pyramid Song
Morning Mr. Magpie
Identikit
Lotus Flower
The National Anthem
Feral
Idioteque 

ENCORE 1
How to Disappear Completely
Supercollider
Go to Sleep
Paranoid Android 

ENCORE 2
Give Up the Ghost
Reckoner
The One I Love/Everything In Its Right Place

Sunday, March 25, 2012

lynnguppy's God Street Monday presents: DEAD CLOWNS!


Yah, it's fucked up.

And now presenting: a short list of songs that GSW didn't play in 2010 and should seriously consider playing in 2012:

New Eyes
Miss Leonardo
Hungry Again
Seein' Yer Meaning
Funny Kinda Love
Chop!
Dark Hollow
I Dig A Pony
A Day In The Life
Whatcha Gonna Do About It?
Twitchin'
Stone House

I'm sure this will grow. Feel free to add your suggestions in the comments section, below. Just make sure they don't suck.

Wednesday, March 21, 2012

God Street Wine Announce 3 West Coast Dates & New Music Videos On Hidden Track Blog!!!

Let's catch you fine people up, shall we?

If you've been paying attention, you would already know that the fantastic Rock Band God Street Wine, have just announced 3 West Coast dates (8/9, 10, & 11), in addition to the 3 NYC dates that were announced last week (8/16, 17, & 18).

GSW are Drivin' West!

You can purchase tickets for all of these shows (except the TRI show, which will be a free live webcast performed in a high tech studio that is hopefully rainproof) via godstreetwine.com.

In addition to all that goodness, Hidden Track, who honor God Street Wine on the weekly with their feature God Street Wednesdays, is proud to announce they will be hosting brand new GSW music videos, shot and cut by Mike Wren, from the 2010 Gramercy shows (tentatively scheduled for) every other Wednesday. Today's first installment is the fantastic Dirty Little Secret. One of my very favorites! A song about love, lust, crazy people, magical elixirs, and loud fucking birds. Something for everyone! Hop on over to Hidden Track and enjoy! Happy God Street Wednesday!

Thursday, March 15, 2012

Todd Snider, 3/8/12, Irving Plaza, NYC

Todd Snider, 3/8/12, Irving Plaza, NYC


It would be impossible to review Todd Snider's Irving Plaza show without mentioning the magnitude of how fantastic his new album is. If Todd Snider is not nominated for at least 1 Grammy for "Agnostic Hymns & Stoner Fables", we are all living a horrible lie. On it, he's backed by a full Rock band that are like, the fucking BALLS of this record, and includes Amanda "Pearl" Shires on a haunting violin and backup vocals that tie a perfect bow on the sound. Agnostic Hymns & Stoner Fables is a down and dirty Blues Rock Alt Country record that is kind of an absurdist's look at living life in the dying American Dream.

The introduction, In The Beginning, is a Preacher pulling you into a sermon about Religion and the division between and struggle for control amongst The Have's & Have Nots, the narration is backed by a building Rock beat. It sets the tone. Think the Prince Intro on Let's Go Crazy, but without all the eye makeup. By the end of the second song, New York Banker, you will find your blood boiling and your hands clenching into involuntarily fists. Snider chants, "good things happen to bad people!" TELL IT, Todd! There's a great cover of Jimmy Buffett's West Nashville Ballroom. Precious Little Miracles is a lovely little ditty about those crazy kids today, and how they wear their pants low, their hats crooked, and walk around trying to kill people for the thrill of it. The Very Last Time is an adorable little tune about heartbreak. In Between Jobs is my new Theme Song. It's dark, truthful, soulful, and it definitely speaks to me (I'm a Freelancer). He captures the frustration perfectly. "I know how mad I'm getting just knowin' how much more you got than me, I'm thinking, what's keeping me from killin' this guy… taking his shit." I can dig it. Brenda, is a catchy song about true love. More specifically, it's about the true love between Mick Jagger and Keith Richards. Too Soon To Tell is a lyrical masterpiece that dives right back deep into the haunting darkness. "They say living well is the best revenge, I say bullshit, the best revenge is revenge. This isn't over, we're going to meet again.", "I want to trust you buddy, but you're clearly keeping secrets from me.", "You too will wake up one morning with a lot more memories than dreams", "Don't give up on me baby, I think I could be losing my mind." It's so good I could bathe in it. Digger Dave's Crazy Woman Blues is about Todd's good friend Digger Dave, from Homer, Alaska, who made the mistake of letting a crazy woman named Christine into his house. Todd calls it the truest song he's ever written and says that he never did approve of that woman. Big Finish, takes stock of one's place. "It ain't the despair that gets you, it's the hope" (a quote apparently from music industry pioneer Bob Mercer who may have stolen it from Oscar Wilde).

And the reason the Irving Plaza show could not be reviewed without first taking a look at this brilliant album, is because the tone and energy of the album carried itself all the way to Irving Plaza and exploded inside it. I've only ever seen Snider solo-acoustic before, and after hearing the album, I had hoped there would be a band at this show so I could experience that awesome magic live. Well, there WAS a full band, all night, and it was way louder and awesomer than I thought was even possible. Todd Snider, dripping in sweat, spent much of the night on an electric guitar and absolutely BROUGHT IT as a Frontman. The show was gritty, passionate, and from the fucking gut.


All of the stuff from the new album translated beautifully and was incredibly exciting to hear live. The torture in his voice was cathartic and delicious. Whatever else he had imbibed in certainly gave it that friendly and personal touch that Todd Snider brings into every room. He invites you in-- pull up a chair if you'd like. He's just there to "ease his mind about everything", and hopefully he can entertain you along the way. Todd looked like he was having a blast and I can assure you that the crowd was too.




Hearing the classic tunes with the full band was an awesome treat. Highlights of those: The Devil You Know, Stuck On the Corner (Prelude To a Heart Attack), Alright Guy, and Conservative, Christian, Right-Wing Republican, Straight, White, American Males.

It was a triumphant show. That album is insanely good. He deserves some Grammies. I would recommend he put them on his amp, next to his collection of generic sporting trophies (I noticed one surfboard) that look like they were picked up at Goodwill or have been sacrificed by fans over the years, and all have the name "TODD" crudely scratched into their faux-marble bases.

Gritty, Passionate, Honest. He ELECTRIFIED that room. WOW! Todd Snider, 3/8/12, Irving Plaza, NYC: 9.9 HUZZAHS!!!! AMAZING.

SETLIST
In The Beginning
Too Soon to Tell
The Devil You Know
Precious Little Miracles
Lookin’ for a Job
Play a Train Song
Happy New Year
Digger Dave’s Crazy Woman Blues
In Between Jobs
Stuck On The Corner (Prelude to a Heart Attack)
The Ballad of Cape Henry
Alright Guy
45 Miles
Brenda
The Ballad of Kingsmen
Conservative, Christian, Right-Wing Republican, Straight, White, American Males

ENCORE
Big Finish
Mission Accomplished (Because You Gotta Have Faith)

** DOWNLOAD THE SHOW: http://www.toddsniderlive.com/?p=3217 **

HI-RES & SLIDESHOW!

Monday, March 12, 2012

God Street Wine Announce 3 NYC Shows In 2012!

Much like chumming for sharks, 90's NYC Rock Kings, God Street Wine, have spent the past week baiting their fans (Winos) into a feeding frenzy. Though it had been dormant for a while, a new message appeared on godstreetwine.com every day last week. Messages included song lyrics, history lessons, and general silliness to help conjure up a bloodthirsty kind of excitement-- so, just what in the hell was GSW up to?





Today we learn (via a clip of the now legendary Waiting For the Tide moment from the Gramercy in 2010 that reminds us how pants-shittingly awesome those shows were, and a cordial invite -- "hey man, it's purple!"), that:
GSW will be playing 3 shows this summer at the Gramercy Theater in NYC. *insert squeals of delight here*

I do remember it, and it WAS quite fun.

Always with the etiquette...

All three shows go on sale this Wednesday, 3/14/12, at 10AM. Please note: the last time GSW played the Gramercy Theater, tickets sold out in mere minutes. So, if you want tickets to any of these shows, it is absolutely imperative that you have your shit together for presale this Wednesday. Most importantly-- here are each of the ticketmaster links you will need to purchase said presale tickets:
2nd most importantly, the presale password is: Toonces

You know-- Toonces, the driving cat. The cat who could drive a car.


I repeat, YOUR WINO PRESALE PASSWORD IS: Toonces

Let's recap:
  • THIS WEDNESDAY
  • 10AM
  • Toonces
And in Haiku form:
Wednesday is Presale,
at 10AM type: Toonces
Don't fuck up, people.

Buy early, buy often (but not if you're a scalper), and bring your friends! Come one, come all! Old and new Winos alike! These shows are gonna ROCK! Fer fack's sake, Tomo's been practicing for months!


And if you don't know who God Street Wine are and for some reason you are still reading this-- head over to the archive and check out some GSW right now-- follow this link, press play, and stream one of my favorite shows!

Wednesday, March 7, 2012

Jane's Addiction, 3/6/12, Wellmont Theatre, Montclair, NJ

Jane's Addiction, 3/6/12, Wellmont Theatre, Montclair, NJ


OMG, with the fast turnaround! The fuck? Jane's Addiction played an intimate show to a Sold Out Wellmont Theatre in Jersey on Super Tuesday, and if I can describe it in one word, it would be: Badass. Then why is this review so long? Fuck you, keep reading.

The opening band was a Hard Rock duo from Belgium. Black Box Revelation were very loud. There were some interesting ideas scattered in there, somewhere. Maybe. I took a strategic pee-break in the middle of their set and missed their hit single. More importantly, and where I'm going with this is: does the NJ Department of Labor know that the bathroom attendants in the Wellmont Theatre are, according the signs in the bathroom, "working for tips"? Is this legal? Or just a lie? Shouldn't they be earning an hourly rate + tips? I feel guilted into paying $1 every time I pee. Phooey.

JANE'S ADDICTION. Badass. How detailed do you need me to get? Badass Motherfucking Rock Show. That's how they roll. Perry Farrell is one of the best Frontmen alive, and part of the reason is just that: the man is still alive. All that shit he put in himself-- and it didn't kill him. That alone gives him some Major Frontman Cred. Now, put aside surviving all that legendary drug abuse. Perry Farrell is onstage next to someone, like, I don't know-- say, the swarthy, shirtless, tattooed, and leather pants clad, Citi Bank Commercial starring, Dave Navarro, who spends the entire night striking Rock God Poses, while shredding the fuck out of sick guitar solo after sick guitar solo, making every one of them look seemingly effortless, with each change in the light show reflecting off of his nipple rings-- and Perry Farrell's natural stage presence still makes him the sexiest guy up there. He's just that good. Scrawny Magical Rockstar Frontman. Perry Farrell is the 90's Mick Jagger.

Highlights: all the awesome shit I liked.

The crowd was fun. Some people were tall and in my way. Mostly, people were enjoying themselves and on fairly good behavior. There was a lot of fist pumping and excitement from males approximately 28-46 years of age. There were some kids (girls, approximately 7-10 years of age) in the VIP section who looked utterly confused when Farrell explained that he liked jumping into the crowd because women grab his cock and that feels awesome. Either they haven't picked up on the OOZING SEX ROCKSTAR FRONTMAN vibe from him yet and found it slightly questionable, or they don't know what the word "cock" means. Well, maybe now they do. It was a learning experience, no doubt. Did I mention the S&M Burlesque theme to the show? It's Jane's Addiction, so the dancing/whipping/tied up chicks are pretty much a given. The dude who hung a baby doll from a noose, then ripped apart another, and tossed it's appendages into the audience was a nice touch. Oh, to be a fly-on-the-wall at that Show & Tell presentation next Monday.





There's a reason these guys are still around and still kicking this much ass. They are BADASS MOTHERFUCKING ROCKSTARS. It was very cool seeing them in such a small venue and there was a similar sentiment and excitement amongst the crowd. It was a totally badass show, but I did miss all the fantastic Super Tuesday Coverage, which I'm sure was entertaining in an entirely different way. I would like to bring Rick Santorum to a Jane's Addiction show. Eventually I would get to tell him that Perry Farrell is a Jew. Jane's Addiction, 3/6/12, Wellmont Theatre, Montclair, NJ: 9 HUZZAHS!!!

SETLIST
Underground
Mountain Song
Just Because
Been Caught Stealing
Ain't No Right
Ted, Just Admit It...
Broken People
Classic Girl#
Jane Says#
Chip Away#
End To The Lies
Three Days
Stop!

ENCORE
Words Right Out Of My Mouth
Ocean Size

# acoustic

Thursday, February 2, 2012

Jon Bevo's Love Orchestra, 1/28/12, Mexicali, Teaneck, NJ

Jon Bevo's Love Orchestra,
CS Gray Band, & Jason Crosby,
1/28/12, Mexicali, Teaneck, NJ



Whose Love Orchestra?

If you don't already, alls you need to know is that Jon Bevo's Love Orchestra is the codename for God Street Wine, when God Street Wine plays "stealth", in venues they've long since outgrown. There were however, some slight lineup changes this time around. Tomo is not on this Continent, so the awesome Dave Diamond (Pozzy Ghuru, too many more to name, etc.), filled in on drums. Dan Pifer was unexpectedly called off to decapitate Scotsmen in the European Highlands or something, so Tom "The Old TP" Pirozzi (Ominous Seapods, The Lo Faber Band) studied super hard and took over slappity slappin' the bass duties for the night (fortunately, he is already Mad Skilled on at least a handful of tunes, from playing with the Lo Faber Band). Jason Crosby is always a bonus, and he would be sitting in on keys & fiddle, adding his special brand of zazz to the entire evening.

People were really psyched for this, but it seemed none so much as Guitarist Lo Faber himself, who has been daylighting as a PhD student/Professor at Princeton University, and in the days before the gig, lit up the band's facebook page, calling for requests & counting down the hours until "the Big Bevo Lovin'". Sure, I had been excited before, but Lo absolutely bursting with excitement was what really got me the most fucking excited-- cuz that dude's excitement is worth getting excited over. Truth be told, I was also very excited to have the exact appropriate & special occasion to wear my purple pants. So, that was pretty exciting too.

After a delicious dinner with even yummier company, Jason Crosby opened the evening of music with a short set of his artful, delicate, moody, ethereal zazz. The following day he would be flying to Ireland to play a couple of gigs with the legendary Van Morrison. You know, whatevs.

CS Gray Band then jacked it up and rocked it out. Singer/Guitarist Chris Gray drove a full set of hearty Rock 'n' Roll with touches of Zeppelin, Petty, Springsteen, and Wilco-esque Sensibilities. Not to mention Mr. Jon Bevo, himself, wailing on keys-- which doesn't hurt. (NOTE: Dan Pifer is also in CS Gray Band, but due to aforementioned Highlander Journey, they got Brian Posehn's older & more mysterious brother to take over on Bass.)



Then came the Lovin'. The girlies began to scream and Jon Bevo's Love Orchestra kicked that shit off right, by instantly warming the room with Get On the Train. As a total fucking GSW Nerd, I do question the pick of Souvenir in the 2 spot. It's a slow ballad and I wasn't really feelin' it (that is about as critical as this review is going to get). Shit, the rest was just as awesome as any Wino could want. Bring Back the News was super sweet. Goodnight Gretchen featured the Old TP just laying that phat fucking bass IN YOUR FACE. That's why the slogan of his breakfast cereal is The Old TP O's: BELIEVE THE BASS!^ Driving West was great, but I couldn't hear Bevo at all, and the bouncy keys are an integral part of that song, so not hearing them made me angry. So so angry in fact, that I issued an official complaint to the authorities. "Dude, it's JON BEVO'S Love Orchestra!!! Where the fuck is the Bevo???" (It got a little better towards the end of the set, but wasn't completely resolved til Set II). Imogene was fun. Upside Down & Inside Out was, as always, beautifully haunting and romantic. It also featured a lovely Lizzy Loves on backup vocals. They didn't do the "hoo's", if you were wondering (you were). A super charged and delightful Stone House closed out the Set. Goddamn that song is fun!








Set II. I left booze on stage for the musicians. Musicians love booze. It's a fact. I just knew they needed to keep up whatever buzz was responsible for the happiness they'd just smothered the room in, like so much cheese on a steak burrito. She Comes Up Softly- I never was a fan, but patience is a virtue. 6:15 was the fucking BOMB. It's one of my favorites, and if I can get personal for a brief moment-- that song has helped pull me through some tough times. Love and strength, bottled in a song. I claimed some familiar real estate near Lo and commenced rocking the fuck out. Then Epiphany, another favorite, with it's one-of-the-most-beautiful-hooks-ever, sweetly filling my ears. I never get tired of hearing it. Tide was also sweet and warm, with Todd Pasternack (Guitar) and Angela Ford Pasternack (backup vocals) of the Lo Faber Band hopping onstage for a quick cameo. Hollow Frog typically features Bevo reading from a collection of Haikus, but on this occasion it starred Spoken Word Artist, Frank Messina, "the Mets Poet", reading from his book, Full Count, about a Psychobitch. Of course she'd be a Mets fan. Just sayin'… Henrietta was fucking spectacular. Hammer & a Spike is another one of my favorites, so-- fuck yeah! High energy and lots of love to give! Epilog was like a hug. Hellfire was twisted, dark, and warped. Everything it should be (and included another Old TP Throw Down). The Nightingale Encore was spirited and tied a proper bow on the whole evening.










They raged. Dueling guitars, slanty keys, and that electricity still pulsing through their veins. Lo, Aaron, & Bevo conjured up The GSW Magic. It lives. It was all there. I SAW IT. Jason Crosby is always a delightful addition. Dave Diamond and The Old TP each brought to the table their own styles, and that chemistry sparked a heavier groove that was woven into the night. Delicious. They were all so happy up there and it reflected right back onto the crowd. It's definitely worth noting how absolutely pumped Lo was to be playing electric and with a full band. I mean, they were all psyched-- but dude was fucking psyched.

This Jon Bevo's Love Orchestra show felt a whole hell of a lot like a sweet God Street Wine show, because that's what it was. Fucking fantastic! It was awesome and I can't wait to see them do it again. When Dan comes back, TP can be a backup Hula Dancer or some shit. That's fine too.

Jon Bevo's Love Orchestra, w/ CS Gray band, & Jason Crosby, 1/28/12, Mexicali, Teaneck, NJ: 9 HUZZAHS!!!! Points deducted for lack of Bevo in the mix during the first set. That shit stung. Driving West with no keys? COME ON!

And I'm completely unbiased…

SET I
Get On the Train
Souvenir
Bring Back the News
Goodnight Gretchen
Driving West
Imogene
Upside Down & Inside Out #
Stone House #

SET II
She Comes Up Softly
6:15
Epiphany
Waiting For the Tide @
Hollow Frog %
Henrietta
Hammer & a Spike
Epilog
Hellfire

ENCORE
Nightingale #

# w/ Lizzy Loves on backup vocals
@ w/ Todd Pasternack on guitar & Angela Ford Pasternack on backup vocals
# ft. Frank Messina, "The Mets Poet", reading from his book, Full Count

DOWNLOAD THE SHOW! Thanks, Scott Bernstein! http://www.archive.org/details/gsw2012-01-28.tlm170.flac16

SLIDESHOW & HI RES GALLERY


^ Free lock of hair inside! (WARNING: LOCK OF HAIR IS NEITHER BOUND TOGETHER OR SHRINK-WRAPPED)